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Peculiar, Missouri

by Willi Carlisle

supported by
Neil Rickmond
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Neil Rickmond Willi is real and his music hits us all with such openness, it inspires unity and love, which this world needs a lot more of. Favorite track: Tulsa's Last Magician.
Yimmy Kil
Yimmy Kil thumbnail
Yimmy Kil Very good lyricist whose songs ring out folk music. However the unique differences between all these songs make this a standout from 2022. This is an artist who deserves way more recognition. If this album is any indication of how future ones will sound then I say that will happen sooner than later. Favorite track: Vanlife.
Vocals On Top
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Vocals On Top I Won't Be Afraid to be upset this song isn't on the vinyl track listing anymore. Favorite track: I Won't Be Afraid.
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  • Record/Vinyl + Digital Album

    NOTE: "I Won't Be Afraid" and "Rainbow Mid Life's Willow" only on digital/CD version.

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  • Ltd. Edition Pink Vinyl LP
    Record/Vinyl + Digital Album

    Limited Edition Pink LP. Only available through Bandcamp + official website. Includes download card. NOTE: "I Won't Be Afraid" and "Rainbow Mid Life's Willow" only on digital/CD version.

    Includes unlimited streaming of Peculiar, Missouri via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Well Tulsa’s last magician got his start at four Pulled a quarter from his own ear and spun it on the floor Since there’s no good tricks but old ones and lyin’ ain’t that hard He saved up all his quarters and bought a deck of cards And he learned ragtime piano, though his teacher thought him slow Got a black belt in karate from a pawn shop video And he’d practice all his worst mistakes in a dirty bathroom mirror And when his mother drank, he learned to disappear And his classmates thought him funny and good at sleight of hand But he had this grand finale that they refused to understand It’s hard to tell the whole truth of a family sawed in half And that’s why Tulsa’s last magician left his home so fast Well down and out in Reno, broke in Santa Fe Turnin’ tricks on Los Sueñeros out in the Californ-i-ay They pushed him up against a wall said buddy get a grip So he learned to set himself on fire on the Las Vegas strip Then he wandered down to Tampa, blew everybody’s mind ‘Cause the crowd was cheap and easy there, on beer and blow and wine They said I wonder where my dollar went, how’d the flower bloom so fast He said I can’t reveal my secret, though they rarely failed to ask And the crowd all thought him funny, and good at sleight of hand But he had this grand finale they refused to understand They demanded explanation when the card pulled was their own And that’s why Tulsa’s last magician lost his faith and headed home Well he said he’d learn computers, like his second foster dad And free-range all the rabbits that were livin’ in his hat His investments all went swimmingly, he had the boss on hidden strings His promotions were a certainty, he could make the numbers sing Now time and space is easy for magic to control Still it was forty years of workin’ ‘fore he noticed he was old And now his great escaping act is just untying both his shoes And most days he’s in the easy chair, yellin’ at the news And the weatherman is funny and talkin’ with his hands But black clouds are comin’ in, and no one understands That somebody’s true religion’s always someone else’s joke And that’s why Tulsa’s last magician pretty much went up in smoke So friend if you’re the kind that thinks no one quite gets quite what you are Like you’re cobbler or mechanic in this age of flying cars If you think that you see right behind what’s right before our eyes You might be a small town’s last magician in disguise And we need you to be funny, please be good at sleight of hand ‘Cause there’s a grand finale we can’t hope to understand And there’s a 1 in 52 chance it’s all magic and it’s true So won’t you please help us believe in you?
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Vanlife 04:46
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Este Mundo 03:56
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Buffalo Bill 01:47
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about

Willi Carlisle is a poet and a folk singer for the people. Like his hero Utah Phillips, Carlisle's extraordinary gift for turning a phrase isn't about high falutin' pontificatin'; it's about looking out for one another and connecting through our shared human condition. On his anticipated second album, the magnum opus 'Peculiar, Missouri', Carlisle makes the case across twelve epic tracks that love truly can conquer all. Born and raised on the Midwestern plains, Carlisle is a product of the punk to folk music pipeline that’s long fueled frustrated young men looking to resist. After falling for the rich ballads and tunes of the Ozarks, where he now lives, he began examining the full spectrum of American musical history. This insatiable stylistic diversity is obvious on 'Peculiar, Missouri' which was produced by Grammy-winning engineer and Cajun musician Joel Savoy in rural Louisiana. The songs range from sardonic honky-tonk barnburners like “Vanlife” to the heartbreaking queer waltz “Life on the Fence.” The album also imbues class consciousness in songs like “Este Mundo,” a cowboy border ballad about water rights, and the title track’s existential talkin’ blues about a surreal panic attack in Walmart’s aisle five. Though Carlisle's poetic words evoke the mystical American storytelling of Whitman, Sandburg, and cummings, ultimately this is bonafide populist folk music. Carlisle recognizes that the only thing holding us back from greatness is each other. With 'Peculiar, Missouri', he brings us one step closer to breaking down our divides.

credits

released July 15, 2022

Produced by Joel Savoy
Recorded and mixed by Joel Savoy at Valcour Records in Eunice, Louisiana
Mastered by Dan Emery at Black Matter Mastering
Photos by Chuck Davis and Jackie Clarkson
Design by Dan MacDonald Studios

Nobody wants to be a rambler, not really. No matter how much the ‘ye olde folksinger’ aesthetic might boast it with hobo costumes and funny hats. Everyone wants to find home. You might get it twisted, and I wouldn’t blame ya: most of the songs here are about traveling. But I wanna add a caveat: these are folksongs about people who don’t fit in, who’s journey isn’t done, who are unsettled. Not because they wanna be. Because they have to be: the elderly cook on a chuckwagon, the wild-haired kid sleeping in his saddle, the two guys living in a van, the poet longing for the kiss of a dead general.

I’m sure you know this discomfort. You lay down at night, and it reaches through your chest like a phantom limb. Do we deserve it? It reaches anyways, just past us. Sometimes it’s a fist, furious at what we lack. Sometimes it’s a law or a gun or a chemical, and we have to boogie. Amidst the great resignation and impending climate disaster, I hear the hundred-year-echo of migrations recorded and forgotten, the old spiritus mundi in the Arkansas pines. I hear the words of forebears who lit the way for us, the great-great-grand-so-and-so’s who forged our misery and our delight in genetic code and microfilm. The yowling bastards who got us into this mess never shut up. And we’re different than them, yeah? Thank Dog! But we did come from them. They gave us songs and slogans to repeat and befuddle and revise, and I wanna hear them, the tie-hackers ballin’ jacks, the street-corner hawkers, the cowboys yodeling, the archivists mumbling, the grandmothers opining long-dead lovers…

…it’s like a miracle, this inchoate rushing, this river of history. It washes us towards the end, the big mystery. Are we bathed in its bloody backwaters? Todo pasa en este mundo. It rolls over us like a manic-episode and a makeout session, like the broad-shouldered lad at the square-dance. It crushes us like a covered wagon thrown from a skyscraper. But things ain’t hopeless, no, not yet! Not while we’re livin’.

This record is in praise of those dead folkies whose honest seeking brought us this unsettling, awkward, fumbling epoch. I’m asking you, them, us: what is it that we can’t find? Who is there but us? Who else will make the world fair and just? We orphan ourselves, we drive sixteen hours, we break our bodies, we uproot whole continents in search of love, in search of our deepest human right. What foolishness! What violence! I foam and dance and sing, and look upwards for the shooting star.

Stay Weird, Stay Wild,
-Willi Carlisle

THIS WOULDN’T BE POSSIBLE WITHOUT…Joel and Effie Savoy; Bob, Meri, and Alfred Goehring; Jonathan Een Newton; Dolores Granger; Megan, Annie, and David Blankenship; Josh and Max Baca; Ordinary Elephant; Eryn Brothers; Mike Vanata; Dick Darden; Steve Cormier; Dylan Earl; Nick Pence; Robin Metz.

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Willi Carlisle Fayetteville, Arkansas

Folksinger/poet from the Midwest and upper South. Free Dirt Records.

Contact Willi
willicarlislemusic@gmail.com for insults, commentary, phone numbers.
Contact jatamian@teamwass.com & TAlexander@teamwass.com for bookings/inquiries.
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